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  <programme channel="more4.uk" start="20260826001000 +0000">
    <title lang="en">24 Hours in A&amp;e</title>
    <desc>The RTS award-winning documentary series that follows patients treated in the same 24-hour period at St George's Hospital in south west London, which has one of the most advanced and busiest A&amp;E departments in the world; a place where stories of life, love and loss unfold every day. Five-year-old Isa is rushed to A&amp;E after being hit by car and trapped underneath it. Witnesses had to lift the car so he could be treated by paramedics. Doctors send Isa for scans, suspecting that the impact may have caused serious internal damage, as well as significant head injuries. They discover he has a collapsed lung that urgently needs to be drained, and may have a small bleed on his brain. Dad Siddiq, who travelled to hospital with Isa, is worried about telling his pregnant wife Tawra. She's concerned about what the injuries could mean. Tom, who's 26, is brought to St George's after slicing through his leg with a circular saw. Doctors fear that the blade has cut so deeply into the muscle tissue that it could starve Tom's leg of blood. While he's scanned to check the severity of his injuries, Tom talks about his parents' tough decision to sell their farm in Colombia to come to the UK in search of a better life for their family. Meanwhile, 85-year-old retired actor Donald comes into A&amp;E complaining of pain in his bladder. He has a catheter and consultant Faheem suspects there may be an infection. Donald talks about starting in theatre during the war and working in musicals. Prod/Dir: Jennie Cosgrove; Series Prod/Dirs: Alex Sunderland, Bruce Fletcher, Jackie Waldock; Exec Prod: Spencer Kelly; Prod Co: The Garden Productions 

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    <category lang="en">Series</category>
    <episode-num system="xmltv_ns">9.20/24.</episode-num>
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      <quality>HD</quality>
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  <programme channel="more4.uk" start="20260826011500 +0000">
    <title lang="en">24 Hours in A&amp;e</title>
    <desc>The RTS award-winning documentary series that follows patients treated in the same 24-hour period at St George's Hospital in south west London, which has one of the most advanced and busiest A&amp;E departments in the world; a place where stories of life, love and loss unfold every day. Ten-year-old Ashleigh is rushed to St George's by ambulance after she twisted her leg awkwardly while playing football. X-rays reveal that Ashleigh's femur is broken and will need surgery. It's not Ashleigh's first time at St George's; her dad was treated there for leukaemia. He died when she was just seven. Three-year-old Lola visits A&amp;E with her dad Quin after having a seizure earlier in the day. She has febrile convulsions, a condition that causes her to fit intermittently. 'Naturally when you see this sort of thing you go through all the worst case scenarios,' says Quin. 'You think "What if this happens when we're not with her?" In that moment there's nothing I can do, that's the scary thing.' Meanwhile, 91-year-old Betty is brought to St George's with severe chest pain. Doctors need to do a blood test to confirm if she's having a heart attack and faces life-saving surgery. Betty's niece Anne talks about her aunt's long and eventful life. 'She was a telegraph operator to the North Atlantic convoys,' says Anne. 'After that she did what she really, really wanted to do, which is to travel. She went to South Africa, India, Singapore, Hong Kong, Australia, New Zealand and Canada. She was ahead of her time, a trailblazer.' Prod/Dir: Ally Roberts; Series Prod/Dirs: Bruce Fletcher, Jackie Waldock, Alex Sunderland; Exec Prod: Spencer Kelly; Prod Co: The Garden Productions 

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    <category lang="en">Series</category>
    <episode-num system="xmltv_ns">9.18/24.</episode-num>
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      <quality>HD</quality>
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  <programme channel="more4.uk" start="20260826022000 +0000">
    <title lang="en">The Perfect Pitch</title>
    <desc>Touring North Yorkshire's most interesting and unique campsites, in search of the region's perfect pitch, camping holidaymakers Sugapuff and Therryi, Nik and Harriet, and Emmy and Simon pitch up at a working farm on the edge of Ilkley Moor. Sheep shearing and lamb feeding are among the new experiences for this crowd of campsite critics - but will the novelty win the campsite a five-star rating? Exec Prods: Simon Cooper, Emyr Afan; Series Prod: Lorna Hartnett; Dir: James Abadi; Prod Co: Afanti Media 

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    <category lang="en">Series</category>
    <episode-num system="xmltv_ns">1.3.</episode-num>
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  <programme channel="more4.uk" start="20260826024500 +0000">
    <title lang="en">Close</title>
    <desc>While More4 is off air, SHOPPING with Must Have Ideas. 

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  </programme>
  <programme channel="more4.uk" start="20260826075500 +0000">
    <title lang="en">Find It, Fix It, Flog It</title>
    <desc>In the lovely Devon countryside, Henry Cole and Simon O'Brien meet Derek and Daphne, who have decades of collecting stored in multiple barns. Henry finds a very rare tractor, which he has never found in a shed search before, while a Raleigh shopper bike really lights Simon's fire. Series Prod: Mark Ashton; Series Dir: Matt Knight; Exec Prod: Tom Ware; Prod Co: HCA Entertainment Ltd 

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    <category lang="en">Series</category>
    <episode-num system="xmltv_ns">3.12.</episode-num>
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  <programme channel="more4.uk" start="20260826090000 +0000">
    <title lang="en">Four in a Bed</title>
    <desc>The competition begins at Oaklea Barns Guest House on Merseyside, where Mandi Magee and her partner Paul Green think their impeccable standards will wow their rivals. Guest Ian loves his room but is perplexed by plastic on the lampshades, while Mark and Natalie are thrown by a loose loo. During an exercise in falconry, Dave and Sanchia cry foul when chirpy Mandi rules the roost. At breakfast, Mandi makes it clear she thinks she can't be beaten, but Dave and Sanchia say they'll rise to the challenge. Prod/Dir: Debbie Nugent; Series Prod: Helen Orton; Exec Prod: Mark Wildash; Prod Co: Studio Lambert 

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  <programme channel="more4.uk" start="20260826093500 +0000">
    <title lang="en">Four in a Bed</title>
    <desc>The second visit is to Dave and Sanchia's 300-year-old cottage-turned-guest-house, The Guest House Worsthorne, in Lancashire. Their guests are bowled over by the charm, but Mandi and Paul soon find dirt beneath the surface, and Mark discovers that Dave has missed a spot, as his cleaners have left something behind. The guests saddle up for an afternoon of line dancing led by Sanchia, where Mark puts the hoe into hoedown. At dinner, Ian reveals a royal secret and Mandi has some suspicions about Natalie's intent. Breakfast - served in Dave's vintage tea room next door - goes down a storm but Ian isn't too happy with Dave's order-taking skills. Prod/Dir: Debbie Nugent; Series Prod: Helen Orton; Exec Prod: Mark Wildash; Prod Co: Studio Lambert 

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  <programme channel="more4.uk" start="20260826100500 +0000">
    <title lang="en">Four in a Bed</title>
    <desc>Ian Nicholls hopes that his rivals will leave their designer gear at the door and bunk up in his cheap and cheerful Sleeperdorm Backpacker Hotel in Newcastle. Dave and Sanchia try to grin and bear it but make a grim discovery. Things turn sour over dinner when Mandi tells Ian exactly what she thinks of his dormitory-style hotel, but she has egg on her face - and trousers - the following morning at Ian's unique take on breakfast. Prod/Dir: Debbie Nugent; Series Prod: Helen Orton; Exec Prod: Mark Wildash; Prod Co: Studio Lambert 

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  <programme channel="more4.uk" start="20260826103500 +0000">
    <title lang="en">Four in a Bed</title>
    <desc>The final visit is to The Parsonage Hotel and Spa in York, where general manager Mark Toole and his partner Natalie Allcock hope to wow their guests with their 55-room country manor, complete with pub, spa and in-house restaurant. The guests are awestruck with the size of the hotel but queen of clean Mandi's high standards aren't met, Dave discovers that a sweet treat has been left for him, and Ian takes issue with some modern furnishings. Mark's spread at breakfast gets the guests drooling, with everyone impressed with what's on offer. And chat gets competitive when Dave and Mandi both think they are winners. But when Mark and Natalie get their feedback, they're shocked by Mandi's true feelings about The Parsonage. Prod/Dir: Debbie Nugent; Series Prod: Helen Orton; Exec Prod: Mark Wildash; Prod Co: Studio Lambert 

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  </programme>
  <programme channel="more4.uk" start="20260826111000 +0000">
    <title lang="en">Four in a Bed</title>
    <desc>It's the final day of the competition and the B&amp;Bers meet for the last time to find out how much they've been paid and to settle some scores, before the winner is announced. Prod/Dir: Debbie Nugent; Series Prod: Helen Orton; Exec Prod: Mark Wildash; Prod Co: Studio Lambert 

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  <programme channel="more4.uk" start="20260826114000 +0000">
    <title lang="en">Come Dine With Me</title>
    <desc>Five strangers compete to host the best dinner party to win a £1000 cash prize. This time, the competition comes from Bournemouth, where pharmacist and aesthetics practitioner Shikha kicks off the week with a traditional Indian dinner. Shikha's hoping to wow her guests with an authentic Indian menu that they won't find on a takeaway menu, with rich homemade recipes that have been passed down her family for generations. The guests she's hoping to impress are 29-year-old bookkeeper Ksara, 56-year-old sales manager Andy, 54-year-old driving instructor Sarah and 40-year-old café-bar owner Ed. With a traditional Indian dinner and an extravagant garden party, what more can Shikha possibly do to win her guests over? Prod/Dir: Nana Wilson; Series Prods: Emma Ford, Nick Webb; Series Ed: Henry Hainault; Prod Co: ITV Studios 

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  </programme>
  <programme channel="more4.uk" start="20260826121000 +0000">
    <title lang="en">Come Dine With Me</title>
    <desc>Second to host in Bournemouth is café-bar owner Ed, who hopes that his evening will reign supreme. As a former royal butler, Ed draws on his experience and cooks his guests a meal fit for royalty. Sarah goes all out with her outfit but feels let down by the lack of commitment in the dressing-up department from host Ed. Ksara and Shikha question the effort Ed has gone to with his food, and a visit from a different kind of royalty gives Andy another chance to show off his dance moves. Will Ed's fun night of royal regalia be enough to win him the £1000 prize? Prod/Dir: Jamie Foster; Series Prods: Emma Ford, Nick Webb; Series Ed: Henry Hainault; Prod Co: ITV Studios 

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  <programme channel="more4.uk" start="20260826124000 +0000">
    <title lang="en">Come Dine With Me</title>
    <desc>The third host in Bournemouth, accountant Ksara, is hoping that a menu inspired by her worldwide travels will soar to success. Ksara's starter gets mixed reviews, with Sarah discovering a soggy bottom in her pastry and Andy not being a fan of goat's cheese. The conversation proves more impressive as the group are shocked to find out that the host is an accountant with a penchant for pole dancing - a hobby shared by Sarah. And it's not long before Ksara shows off her skills. When it comes to her Japanese main, the group don't hold back from the truth, but when Sarah has a sample of the veggie option, she's left gagging at the table. Can Ksara's favourite dishes from around the world and fun-filled entertainment win her the £1000 prize? Prod/Dir: Kimya Moghaddam; Series Prods: Emma Ford, Nick Webb; Series Ed: Henry Hainault; Prod Co: ITV Studios 

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  <programme channel="more4.uk" start="20260826131500 +0000">
    <title lang="en">Come Dine With Me</title>
    <desc>The penultimate host in Bournemouth, sales manager Andy, plans to wow his guests with a vegetarian Indian menu. Andy has a challenge on his hands presenting the second Indian menu of the week, with a curry-off between him and first host Shikha. He goes all out to try to win over his meat-eating guests, but in a bid to suss out the competition, he manages to make a surprising remark to Shikha that has the table both in shock and roaring with laughter. He also reveals that he's a pilot and stuns the group with his adventures, but he's not the only one with a daredevil side. Will Andy's veggie Indian cuisine be enough to win him the £1000 prize? Prod/Dir: Kimya Moghaddam; Series Prods: Emma Ford, Nick Webb; Series Ed: Henry Hainault; Prod Co: ITV Studios 

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  <programme channel="more4.uk" start="20260826135000 +0000">
    <title lang="en">Come Dine With Me</title>
    <desc>It's the final night in Bournemouth and the turn of driving instructor Sarah, who's aiming to dazzle her guests with a wedding-themed evening. With Sarah being critical of shop-bought produce all week, her guests are expecting everything to be homemade and to a high standard. Ed finally goes all out with his outfit and Andy reveals his strangest first date. Shikha is impressed that they are having the same food Sarah served at her wedding, but Ksara finds fault with Sarah's showpiece course. Will Sarah's evening be a marriage made in heaven or will there be more 'tiers' than on a wedding cake? Prod/Dir: Jamie Foster; Series Prods: Emma Ford, Nick Webb; Series Ed: Henry Hainault; Prod Co: ITV Studios 

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  <programme channel="more4.uk" start="20260826142000 +0000">
    <title lang="en">Four in a Bed</title>
    <desc>The competition begins in Carmarthenshire, where Louise and Rob hope to impress their guests with a health-conscious stay at their Golden Grove Retreat. But some of them aren't in tune with the lack of a telly. The B&amp;Bers get bendy with an afternoon of yoga, before a gut-healthy breakfast leaves some guests yearning for a fry-up. Prod/Dir: Ben Franklin; Series Prod: Bob Brear; Series Ed Prod: Paul Andrews; Prod Co: Studio Lambert 

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  <programme channel="more4.uk" start="20260826145000 +0000">
    <title lang="en">Four in a Bed</title>
    <desc>The second visit is to Rosita Guest House in Weston-super-Mare. Hosts Sheila and Phil are dreaming of perfect scores, and things get off to a great start with the guests loving the layout of their B&amp;B - until some of them find some unexpected items. Sheila and Phil's hopes of winning soar as the B&amp;Bers get on board with a visit to a helicopter museum. But when Sheila's confusion in the kitchen leads to dining delays in the morning, the breakfast takes a bashing. Prod/Dir: Ben Franklin; Series Prod: Bob Brear; Series Ed Prod: Paul Andrews; Prod Co: Studio Lambert 

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  <programme channel="more4.uk" start="20260826152000 +0000">
    <title lang="en">Four in a Bed</title>
    <desc>The third visit is to King Square Apartments in Bridgwater, Somerset. Pam and Mya hope their self-catering digs will do the business, and the guests are certainly wowed by the building - but not the princely price tag. They spend the afternoon looking at some old bricks. And then the B&amp;Bers cook up a storm at breakfast. But some dented cookware leaves the hosts bent out of shape. Prod/Dir: Ben Franklin; Series Prod: Bob Brear; Series Ed Prod: Paul Andrews; Prod Co: Studio Lambert 

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  <programme channel="more4.uk" start="20260826155000 +0000">
    <title lang="en">Four in a Bed</title>
    <desc>The final visit is to Hartridge Springs in Upottery in Devon. Anton and Emma hope their upmarket glampsite will bring a touch of opulence to the great outdoors. But with some first-time campers among their guests, they've got their work cut out. The B&amp;Bers try their best not to fall asleep while Anton talks about fossils on an open-top tram. Breakfast is a DIY affair. But as the guests find out, it's quite hard to cook a fry-up without a frying pan... Prod/Dir: Ben Franklin; Series Prod: Bob Brear; Series Ed Prod: Paul Andrews; Prod Co: Studio Lambert 

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  <programme channel="more4.uk" start="20260826162000 +0000">
    <title lang="en">Four in a Bed</title>
    <desc>It's payment day, and the B&amp;Bers are champing at the bit to tear some shreds off each other. Rob and Louise want to straighten out Anton's bed bother, while Phil and Sheila want to come clean about poo on the loo. And Pam and Mya sharpen their knives, ready to give some cutting feedback about knives that aren't sharp enough. After everyone's had their say, who will reign supreme? Prod/Dir: Ben Franklin; Series Prod: Bob Brear; Series Ed Prod: Paul Andrews; Prod Co: Studio Lambert 

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  <programme channel="more4.uk" start="20260826165000 +0000">
    <title lang="en">Car S.O.S</title>
    <sub-title lang="en">Triumph GT6</sub-title>
    <desc>In Norfolk, Tim Shaw and Fuzz Townshend pick up Andrew's 1971 Triumph GT6, a classic British two-seater sports car. This sleek coupé, with its powerful straight-six, two-litre engine, was Triumph's answer to its rival's MGB GT, and is now a desirable classic. However, with petrol-head Andrew struggling with the effects of Marfan syndrome, restoring his own vehicle is now impossible, so the Car S.O.S. team step in to save the day. 

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    <category lang="en">Series</category>
    <episode-num system="xmltv_ns">5.5/10.</episode-num>
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  <programme channel="more4.uk" start="20260826175000 +0000">
    <title lang="en">Car S.O.S</title>
    <sub-title lang="en">Toyota FJ40 Land Cruiser</sub-title>
    <desc>Tim Shaw and Fuzz Townshend head to south Wales to pick up Adam's 1984 Toyota FJ40 Land Cruiser, an Australian import four-by-four that went off road for all the wrong reasons and has been standing in a dusty garage, covered in junk. Its engine is leaking oil, there are problems with the front axle, and the bodywork is badly damaged. Unfortunately, parts for this desirable off-road vehicle are as rare as hens' teeth. Has Tim finally met his match? 

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    <episode-num system="xmltv_ns">5.6/10.</episode-num>
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  <programme channel="more4.uk" start="20260826185500 +0000">
    <title lang="en">Grand Designs</title>
    <desc>Most of us would shudder at the thought of transforming a crumbling, structurally unsound ruin into a home, especially doing it yourself and on an extremely tight budget. Yet adventurous, super-optimistic young Cumbrian couple Rob and Ruth have fallen in love with such a building: a 200-year-old former blacking mill that's also been made a scheduled ancient monument by Historic England. They've bought the site for £110,000, and their bold vision includes conserving as much of the original structure as possible. They plan to slot in an entirely new timber-clad, sharp-edged modern building within the walls, giving the impression that it's peeping out from the original craggy mill ruins. They hope to complete this epic, complicated restoration and new-build hybrid in 18 months, with just £250,000. But Rob and Ruth's optimism is tested to the limit straight away when Historic England tell them the mill is too dangerous to repair. Suddenly pitched into plan B, Rob and Ruth painstakingly re-build the ancient mill buildings around their new timber-framed structure. They're short of money, trying to do as much as they can themselves and facing a series of setbacks, and the project drags inexorably on. And once the build's finished, what will be left of the ruin's original atmospheric magic? Dir: Edward Sunderland; Exec Prods: John Lonsdale, John Comerford; Prod Co: Freemantle 

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  <programme channel="more4.uk" start="20260826200000 +0000">
    <title lang="en">Roman Empire by Train With Alice Roberts</title>
    <sub-title lang="en">The Streets of Turin</sub-title>
    <desc>Alice embarks on her most ambitious journey to date, in search of the Roman Empire. Going by train, she travels 1300 miles through Italy, France and Spain to discover the origins and secrets of Rome's success.

In the city of Parma, Alice surveys an underground hotel, a buried Roman bridge and a museum of offerings to the gods. A train takes Alice north to Turin, where she explores spectacular Roman defence towers, the ancient origins of Italy's love affair with bread, and how the city's grid system helped scientists crack an age-old mystery. Alice also tracks down the setting for one of Hollywood's most iconic action scenes and heads off on a dramatic train journey across the Alps. How did Hannibal drag his army of elephants through the mountains? Exec Prod: Steve Havers; Series Dir: Paul Crompton; Prod Co: Spark Media

Short: 
Alice discovers ancient gems in Parma, learns about Roman bread in Turin and catches a train up and across the Alps. 

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    <episode-num system="xmltv_ns">.3/6.</episode-num>
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  <programme channel="more4.uk" start="20260826210000 +0000">
    <title lang="en">24 Hours in A&amp;e</title>
    <desc>The RTS award-winning documentary series that follows patients treated in the same 24-hour period at St George's Hospital in south west London: one of the most advanced and busiest A&amp;E departments in the world. A place where stories of life, love and loss unfold every day. Barrie, who's 78, is rushed to St George's with breathing difficulties. His wife Irene is with him. Barrie has been in A&amp;E a few times in recent months with chest problems and also has dementia. While doctors carry out further tests, Irene talks about how they desperately wanted children, but found out that they couldn't. They adopted two children, but a few years later Irene found out she was pregnant and gave birth to a son on Barrie's 44th birthday. In resus, Barrie's condition worsens. Tests reveal that he has fluid on his lungs and faces serious medical treatment, meaning Irene has to come to terms with a difficult conversation. David, who's 75, is also in A&amp;E, having fallen down a flight of stairs. He was staying with his wife Jane at her sister's house when he woke in the middle of the night to go to the toilet, but 'mistook the top of the stairs for the bathroom door.' Jane is worried about his injuries, but admits 'It was funny... he didn't have anything on!' Meanwhile, 82-year-old Bob has come into majors after a DIY accident at home. His wife, daughter in law and grandson are with him. Due to previous accidents, Bob has been banned from using ladders and his grandson Robbie suggests that they might have to cut off the electricity to the shed to stop him using power tools too. Prod/Dir: Tim Lawton; Series Prod/Dirs: Bruce Fletcher, Alex Sunderland, Jackie Waldock; Exec Prod: Spencer Kelly; Prod Co: The Garden Productions 

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    <category lang="en">Series</category>
    <episode-num system="xmltv_ns">10.0/11.</episode-num>
    <video>
      <quality>HD</quality>
    </video>
    <audio>
      <stereo>stereo</stereo>
      <stereo>audio description</stereo>
    </audio>
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    <subtitles type="teletext"/>
  </programme>
  <programme channel="more4.uk" start="20260826220500 +0000">
    <title lang="en">24 Hours in A&amp;e</title>
    <desc>The RTS award-winning documentary series that follows patients treated in the same 24-hour period at St George's Hospital in south west London, which has one of the most advanced and busiest A&amp;E departments in the world; a place where stories of life, love and loss unfold every day. Martin, who's 77, is rushed to St George's after collapsing at home. It's not the first time that Martin has blacked out, and he has two further seizures in A&amp;E. Doctors carry out urgent tests to find out what's causing his problems. As they await the results, Martin's wife Margaret talks about their life together. 'We never had much money. It was hard to pay the rent,' she says, 'But I knew that he would always look after me and, as much as I could, I would look after him. There's not much more you can hope for.' Harry, who's 83, collapsed while he was out shopping. He's short of breath and has chest pains and dizziness. Harry has been widowed for 35 years and describes himself as 'an independent old bugger'. As a younger man Harry spent time working on fairgrounds. 'I was on the waltzers, the best five and a half years of my life,' he says. Meanwhile, six-year-old Lilly has cut her head after falling off her scooter. Paediatric nurse Kelly loves working with kids. 'I guess you see perks to other people's jobs - nine to five would be amazing or wearing a power suit to work and heels would be super cool - but helping people and making a difference is fantastic,' says Kelly, 'I must just have been born with the caring gene!' Prod/Dir: Tim Lawton; Series Prod/Dirs: Bruce Fletcher, Jackie Waldock, Alex Sunderland; Exec Prod: Spencer Kelly; Prod Co: The Garden Productions 

Please donate to keep this service alive!
https://epg-plus.com</desc>
    <category lang="en">Series</category>
    <episode-num system="xmltv_ns">9.17/24.</episode-num>
    <video>
      <quality>HD</quality>
    </video>
    <audio>
      <stereo>stereo</stereo>
      <stereo>audio description</stereo>
    </audio>
    <previously-shown/>
    <subtitles type="teletext"/>
  </programme>
  <programme channel="more4.uk" start="20260826231000 +0000">
    <title lang="en">999: On the Front Line</title>
    <desc>From car crashes to cardiac arrests, we're on board nine ambulances filming across the West Midlands during an unprecedented time for the NHS. In this episode, a man involved in a car crash needs to be carefully removed from his vehicle to protect his spine. It's also a day when everyday errands go badly wrong. A slip on fallen crab apples in the street leaves a woman in agony with a suspected broken hip. An afternoon spent pottering in the garden ends with a fall headfirst into a brick wall. A bicycle leaves a young man with a swollen kneecap that paramedics suspect is broken. And picking up a prescription from the chemist results in a collapse and a trip to hospital. Series Prod: Graeme Thomson; Exec Prod: Claire Simpson; Prod Co: Curve Media 

Please donate to keep this service alive!
https://epg-plus.com</desc>
    <category lang="en">Series</category>
    <episode-num system="xmltv_ns">5.1.</episode-num>
    <video>
      <quality>HD</quality>
    </video>
    <audio>
      <stereo>stereo</stereo>
    </audio>
    <previously-shown/>
    <subtitles type="teletext"/>
  </programme>
</tv>
